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Bakya Philippine Folk Dance

From Youtube.com - Posted: Sep 21, 2009 - 232,799 views
Cooking | Bakya Philippine Folk Dance | Bakya Philippine Folk Dance
Bakya Philippine Folk Dance
Bakya Philippine Folk Dance
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Philippine Folk Dance
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LAWISWIS KAWAYAN Philippine Folk Dance

A Waray folk song that has becaome popular throughout the Philippine archipelago. The dance is probably a late choreography to the folk song. There are four versions to the Lawiswis Kawayan dance: one from Kolambugan, Lanao performed by the Waray settlers in that place. Another version from Eastern Samar uses a "bangkopuruk-anan" as an implement to the dancing. The male dancers have a mango leaf on their mouth in one figure of the dance. The two versios from Leyte are very distinct from each other. One version is performed with female dancers holding two branches of the "kalipayan" bush and are swayed in time to the music. This version is usually done during house blessings. The last version is the one described in the classic Waray stage play "Diri Bata, Diri Ulitawo, Diri Inasaw-an". As described, the dancers hold one internode of a bamboo with leaves on it. The dance ends with a pose holding the nodes into one long bamboo pole. Given below is the Lawiswis Kawayan song which was traditionally sung alongwith the musicians who play the dance music: LAWISWIS KAWAYAN (Tanauan, Leyte version) Ako magtatanum lawiswis Kawayan Akon la kan Pikoy palatay-latayan Salbahis ka Pikoy an imo paghuni Naghatag ha kalag, hin' ak' kalipayan Bulahan ka Pikoy, ka Pikoy, tikang panginaun Nagpili hin sanga,tinugdon, hinapun. Unina malupad, paglupad iya karantahun Kundi pagka kulup mabalik guihapon Watch out for my upcoming videos of the following dances: Tinikling (Waray) Itik-itik Kuratsa Samarnon (Waray) Lugkat (Waray) Lukay (Waray) An Marol (Waray) Surtido Samareño (Waray) Ismayling (AmoracionAmoral) (Waray) An Lubi (Waray) An Lab-asero (Waray) Costurera Maramyon (Leyte version) (Waray) Paspe (Waray) Ginabato (Waray) Pantomina de Samar (Waray) Salampati (Waray) Ti Yadut (Waray) Lavezares (WarayAbaknon) Jota han Kalipay (Waray) La Jota Samareña (Waray) Kuradang (Waray) An Ulitawo (Waray) Bagol (Waray) Kadang (Waray) Ingkoy-ingkoy (Samar version) (Waray) Pastores (Samar version) (Waray) Estudiantina (Capul version) (Abaknon) Mazurka Capuleña (Abaknon) Panderetas (Tanza, Ilo-ilo version) (Ilonggo) Engañosa (Pandangyado Mayor) (Waray) Pandangyado Cariñosa (Samar) (Waray) Pandagyado Buraweño Pag-aring (Basey, Samar) (Waray) Jota Paloana (La Jota Navarra) (Waray) Paso Doble (Parañaque version) (Tagalog) Polka Tagala Culebra (Bulacan) (Tagalog) Jota Cabangan (Ilocano) Jota Rizal (Tagalog) Jota Ibanag (Ibanag) Chotis Dingreña (Ilocano) Sangkayao (Bikolano) Pangkilad (Bikolano) Flaggey Libon (T'boli) Madal Tahu (T'boli) Karal Kafi (Bilaan) Ati-ati sa Bukid (Cuyo, Palawan) (Cuyunin) Bendayan (Tchunggas) (Benguet) Kadal Onuk (T'boli Bird Dance) Karatong (excerpt) (Cuyunin) Inday na Kunday (Southern Leyte) Likod-likod (Ormoc, Leyte) Gapus-gapusay (Ormoc, Leyte) Man-manok (Bago) Sohten (Subanen) Khinlesung (Subanen) Pangalitawo (Subanen) Madrileña (Pangasinense) Takiling (Kalingga) Minandagit (Manobo) Inahaw (Higaonon) Dugso (Higaonon) Siring (Tagbanwa) Sarungkay (Tagbanwa) Balisangkad (Tagbanwa) Tugatak (Tagbanwa) Dagit-dagit (Kinaray-a) Jota Moncadeña (Ilocano) Surtido Boronganon (Waray) Tachok (Kalingga) Chalijok (Kalingga) Ballangbang (Applay) Karasaguyon (T'boli) Polka Lapis Apoc (Ilokano) Pangalay (Sama di LautYakan) Paunjalay (All girl version) (Yakan) Silong sa Ganding (MAguindanao) Kandalamat sa Gandingan (MAguindanao) Ipat (Demo) (MAguindanao) Maong a Lalong (Pangasinan) Palu-palo (Ivatan) Pawakan (Sabong) (Maranao) Pinanyuwan (Bontoc) Buhay sa Bukid (Tagalog) Pakkong (Benguet) Buling-buling Pandacan (Tagalog) Tacon y Punta Danza (Bikolano) Telipe (Apayao)
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Philippine Folk dance Kuratsa

(Version on the video is the popular Kuratsa Binisaya from Tacloban Leyte' found on the book Philippine Folk Dances V.1 by Francisa Reyes-Aquino but the music used is the Kuratsa Bago (from Bago City, Negros Occidental, notation foun in the "Visayan Folk Dances V1" by Libertad Fajardo) The Kuratsa is highly favored by the Visayan people especially the Waray people of the Eastern Visayan region in the Philippines. Strictly speaking, only one couple dance it at a time. Believed to be a Mexican import (supposedly from La Cucaracha dance typical to Monterrey region of Mexico)- the Kuratsa is however, very different in the manner of execution than the Mexican counterpart. Even the "basic" Kuratsa music is not based on Mexican or even Spanish melodies. Philippine dance researchers, however, point either to the "Kigal" and the "Bikal" as the 'ascendant' of the Kuratsa. The Kigal (spelled "Quigal" in early Spanish writings on Samar culture and lifeways) is a sort battle-of-sexes couple dance that imitate mating birds. The Kigal is in fact called by another name: Binanug or Kiglun (Kigalun?) that's according to a 17th century Samarnon dictionary by Jesuit missionary to Samar, Fr. Alcazar. It is interesting that Banug uis the Waray word for the hawk. The Bikal is rather believed to be the fore runner of the Waray Balitaw because of the strict emphasis on "joust" of impromptu songs interspersed with dancing. The bikal is survived by the Ismaylingay and many versions of this art is preserved by aging "magsiriday" in Samar and to a lesser extent Leyte. The Kigal dance step called 'sabay' is in fact very similar to the Kuratsa dance step called 'dagit' or when more daring the 'sagparak'. Dagit means swoop while sagparak is descriptive of a heated 'bulang' (cockfight). The block and chase portion of the Kuratsa (called 'palanat') is never seen in the Mexican social dance La Cucaracha but is very common among Samar 'amenudo' (or couple dances) like the Ismaylingay, Amoracion, Alimukon, Kuradang and Pantomina. Popular versions of this dance exist in Samar can be classified as the Kuratsa Menor (the usual favorite) and the many versions of the daring Kuratsa Mayor. New genres of Kuratsa evolved as a result of necessity, like-as the name implies- Kuratsa kanan Kadam-an and a very funny Kuratsa nga Pinayungan appropriate for rainy days. KURATSA (Tacloban, Leyte) Introduction. Partners join inside hands, free hands down at the sides. Starting with the R foot, take three steps forward (cts 1,2,3). Put feet together and bow to partner or audience (ct 1).....[2M] Dancers separate about six feet apart. The last two counts of the music are not played until the partners are in their proper places. Watch out for my upcoming videos of the following dances: Tinikling Itik-itik Kuratsa Samarnon Lugkat Lukay An Marol Surtido Samareño Ismayling (AmoracionAmoral) An Lubi An Lab-asero Costurera Maramyon (Leyte version) Paspe Ginabato Pantomina de Samar Salampati Ti Yadut Lavezares Jota han Kalipay La Jota Samareña Kuradang An Ulitawo Bagol Kadang Ingkoy-ingkoy (Samar version) Pastores (Samar version) Estudiantina (Capul version) Mazurka Capuleña Panderetas (Tanza, Ilo-ilo version) Engañosa (Pandangyado Mayor) Pandangyado Cariñosa (Samar) Pandagyado Buraweño Pag-aring (Basey, Samar) Jota Paloana (La Jota Navarra) Paso Doble (Parañaque version) Polka Tagala Culebra (Bulacan) Jota Cabangan Jota Rizal Jota Ibanag Chotis Dingreña (Ilocano) Sangkayao Pangkilad Flaggey Libon (T'boli) Madal Tahu Karal Kafi (Bilaan) Ati-ati sa Bukid (Cuyo, Palawan) Bendayan (Tchunggas) Kadal Onuk (T'boli Bird Dance) Karatong (excerpt) Inday na Kunday (Southern Leyte) Likod-likod Gapus-gapusay Man-manok Sohten (Subanen) Khinlesung Pangalitawo Madrileña Takiling Minandagit Inahaw Dugso Siring Sarungkay Balisangkad Tugatak Dagit-dagit Jota Moncadeña Surtido Boronganon Tachok Chalijok Ballangbang Karasaguyon Polka Lapis Apoc Pangalay Paunjalay Silong sa Ganding Kandalamat sa Gandingan Ipat (Demo) Maong a Lalong Palu-palo Pawakan (Sabong) Pinanyuwan Buhay sa Bukid Pakkong Buling-buling Pandacan Tacon y Punta Danza Telipe
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